Interview with John Surman

 

IMG_5728British saxophonist and composer John Surman made a couple of rare appearances in the U.S. this summer fronting an all-star quartet with John Abercrombie, Drew Gress and Jack DeJohnette, the same group of heavy hitters on his latest release, Brewster’s Rooster (ECM).  The 65 year-old Surman spent an afternoon in Washington D.C. talking about the obstacles that European musicians face in America, the recession and subsidies, his approach to composition and improvisation, and one of his worst saxophone nightmares.

This is your first time in the U.S. with your own band. Why did it take so long?

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Before & After: Bobby Watson

Larry & Bobby_9792Saxophonist Bobby Watson may be best known for his four years with Art Blakey and the Jazz Messengers, but his distinguished career also includes work with Max Roach, Wynton Marsalis, Betty Carter, Carlos Santana, Horizon and the 29th Street Saxophone Quartet. He is currently Director of Jazz Studies at the University of Missouri-Kansas City Conservatory of Music.

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Before & After: Michael Wolff

michael-wolff-1Michael Wolff has worn many hats in the music business. As a jazz pianist and composer he worked with Cal Tjader, Cannonball Adderley, Sonny Rollins and Wayne Shorter, and he spent five years as Nancy Wilson’s music director. The mid-1980s found Wolff branching out as a comedian and singer-songwriter, which paved the way towards his high profile 5-year gig as television bandleader on The Arsenio Hall Show. He’s since composed soundtracks for several films, including The Tic Code directed by the actress (and his wife) Polly Draper. More recently, Wolff has sharpened his acting chops playing the geeky accordion-playing dad on Nickelodeon’s popular rock comedy television show The Naked Brother’s Band, starring Wolff’s sons Nat and Alex. We sat one night over a bowl of pistachios listening to records and talking about his latest release, Joe’s Strut (Wrong Records).

1. Nancy Wilson

“Never Will I Marry” (from Nancy Wilson/Cannonball Adderley, Capitol). Wilson, vocals; Cannonball Adderley, alto saxophone; Nat Adderley, cornet; Joe Zawinul, piano; Sam Jones, bass; Louis Hayes, drums. Recorded in 1961. Continue reading