More than 10 years ago, my former boss at work, Michael Donaldson (an inveterate 45 collector), brought me a little something he picked up at a thrift store. It was super rare 45 of a New York-based vocal trio named the The Three Graces singing a song dedicated to their latest heartthrob, Larry Applebaum. I was startled to see the title of the recording, issued by Golden Crest in 1960, written by C. Levitan.
It has many of the characteristic pop sounds of the day: jangly guitars, sax solo, vocal harmony and several very catchy hooks. It’s taken me many years to find a clean copy, but I’m grateful to Jeff Krulik, Gary Levine and Lee Michael Demsey for tracking it down for me. I now have my new closing theme for my radio show!
I recently dug up, dusted off and added some photos to this old report on my State Department-sponsored lecture tour to Ukraine back in 2004. Subsequent visits have shown interesting things still happening there, so I offer this post for the sake of context and warm memories.
Benin-born, New York-based guitarist and vocalist Lionel Loueke returned to DC in late April to play the White House for International Jazz Day. He seemed to enjoy the challenge of this listening session, even taking notes about unfamiliar artists Sister Rosetta Tharpe and Sonny Sharrock for follow-up research. The music world was still reeling from the sudden passing of Prince the week before, so we included a track from The Artist in order to learn about his reputation in Africa. Loueke continues to tour internationally behind his recent live trio recording, GAÏA (Blue Note).
“Junior’s Jam” (from Miles Ahead Soundtrack, Columbia/Legacy). Glasper, Keyboard, Keyon Harrold, trumpet, Marcus Strickland, saxophone; Burniss Earl Travis, bass; Kendrick Scott, drums. Recorded in 2015.
I’ve had the great pleasure and privilege of curating the new Jazz Singers exhibit at the Library of Congress. I’m grateful to all my colleagues in the Music Division and the Interpretive Programs Office for help and support during the months leading up to our Feb. 11 opening. Special thanks goes to Exhibition Director Betsy Nahum–Miller for keeping us focused and on schedule. Betsy and I are now working on a version of the exhibit we’ll send out to Disney Hall in Los Angeles in the Fall.
I’m pleased to report that we got a nice early boost from the New York Times when they posted a preview, then Milenio, the national newspaper in Mexico, weighed in. I was especially pleased when Will Friedwald, who has written several important books on jazz singers, came to Washington to view the exhibit and and for context spent time delving into more of the jazz treasures in our special collections. Will then returned to New York and wrote this insightful, perceptive review for the Wall Street Journal. Continue reading →
Here’s a short piece about it from the New York Times. The exhibit stays up until the 3rd week in July, then it moves out to Disney Hall in Los Angeles. If you’re in or around DC any time during the next 5 months, please stop by and let me know what you think.
Randy Brecker and I did this late night listening session after one of his concert performances at the 2011 Copenhagen Jazz Festival. He had been up for two days but was inspired by the selections played and offered insights into both the music and players.
1)Terri Lyne Carrington
“Michelle” (from Mosaic, Concord). Carrington, drums; Geri Allen, piano; Ingrid Jensen, trumpet; Anat Cohen, saxophone; Esperanza Spalding, bass; Gretchen Parlato, vocal. Recorded in 2011.