Before & After: Steve Wilson

Steve Wilson

By Larry Appelbaum

 

Multi-instrumentalist and educator Steve Wilson is busier than ever these days. He’s got his own group and has appeared on more than 150 recordings from duets to big bands. In addition to being a much-in-demand clinician, Wilson teaches at Virginia Commonwealth University, the City College of New York and the Juilliard School. His most recent release as a leader was Live in New York: The Vanguard Sessions (Random Act), and his next vinyl-only release Sit Back, Relax, & Unwind (J.M.I.) is due out later this year.  We carved out some focused listening time at the Watergate Hotel prior to Maria Schneider’s Orchestra sound check at the Kennedy Center.

 

 

 

Nate Smith

“Bounce Parts I & II” from Kinfolk: Postcards From Everywhere (Waterbaby Music). Smith, drums; Kris Bowers, keyboard; Fima Ephron, electric bass; Jeremy Most, guitar; Jaleel Shaw, alto saxophone; Chris Potter, tenor saxophone. Recorded in 2014.

 

Before: [10 seconds in] I love it already. Continue reading

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Before & After: Lou Donaldson

If we’re lucky, Lou Donaldson will write his autobiography. He was not only in the thick of things during the hard-bop, soul jazz and funky crossover eras, but the 82 year-old alto saxophonist has stories to tell, a biting sense of humor and, as he showed in front of an audience at the 2009 Portland Jazz Festival, he shoots from the hip.

1. Hank Crawford
“Save Your Love For Me” (from Low Flame High Hear, Label M). Crawford, alto saxophone; James Clay, tenor saxophone; Leroy Cooper, baritone saxophone; John Hurt, Phil Guilbeau, trumpet; Sonny Forrest, guitar; Edgar Willis, bass; Bruno Carr, drums. Recorded in 1966.

Before: [after two notes of saxophone]. That’s Hank Crawford; Beautiful tone, beautiful soul, from Memphis, Tennessee. He came up with me. We met in the ‘50’s, he was playing with Ray Charles. He wrote arrangements for Ray, too. If you can’t play the blues, you can’t play no jazz, I don’t care who it is or how much you study. Continue reading