You can learn a lot about jazz hanging with Jimmy Heath. The saxophonist, arranger and bandleader has worked with nearly every important jazz musician of the post-war period, and his many compositions, including the jazz standards “Gingerbread Boy” and “C.T.A.,” are performed and recorded around the world. The Philly-born, NEA Jazz Master spent many years teaching, and he’s shared a lifetime of behind-the-scenes stories in his recent autobiography, I Walked With Giants. He is still actively playing and recording, and his latest release with his younger brother Tootie is The Heath Brothers:Endurance (JLP). This B&A was conducted in front of a live audience at the 2011 Mid-Atlantic Jazz Festival.
1. James Moody
“I’m In The Mood For Love ” (from The Very Best of Prestige). Moody, alto sax; Leppe Sundwal, trumpet; Thore Swanerud, piano; Yngve Akerberg, bass; Jack Noren, drums. Recorded 1949. Continue reading →
1. James Moody with Chano Pozo
“Tin Tin Deo,” from Chano Pozo: El Tambor de Cuba (Tumbao). Moody, Ernie Henry, Cecil Payne, saxophones; Dave Burns, Elmon Wright, trumpets, James Forman, piano, Nelson Boyd, bass; Art Blakey, drums; Chano Pozo, conga, vocals, composer. Recorded in 1948.
Before: I know who this is. I love it. [sings along] I get chills listening to this. Chano Pozo with James Moody. This is where I come from, you know? This is when they were first mixing jazz and latin. I’m sure it’s a fine trap drummer behind him but it sounds like they‘re building a house back there [laughs]. Yeah, the house is going up. That’s a great band. Continue reading →