I recently dug up, dusted off and added some photos to this old report on my State Department-sponsored lecture tour to Ukraine back in 2004. Subsequent visits have shown interesting things still happening there, so I offer this post for the sake of context and warm memories.
A wide-ranging, revealing, pre-concert interview with clarinetist Eddie Daniels and pianist Roger Kellaway at the Library of Congress, Feb. 25, 2011. Lots of great information, knowledge and fascinating stories I’d never heard before.
I was recently interviewed about the state of jazz by culture journalist Bjarke Due Gunslev for the Danish newspaper Information. For reasons of space, he only used a few quotes in the final piece. I’ll now post below the entire interview we did in English via email, then at the bottom is the final article in Danish.
– Are there in your opinion criteria that has to be met for it to make sense to define a piece of music as jazz?
For me, there are traditions you can point to, or trends that emerge over time, but there’s no checklist or rulebook that says jazz must conform to one theory, aspect, formula or principle, and I’m glad there isn’t. That would be boring; the sort of thing rigid, humorless people dwell on. You might say such an attitude goes against the sprit or soul of jazz. Or, to borrow a term from the moldy figs of the 1960s, that paint-by-numbers approach is “anti-jazz.”
Journalist Margo Ormotsadze first interviewed me for Forbes last summer with provocative questions about the state of jazz. She recently followed up by asking a new set of questions via email. Here is her published interview in Russian which appeared in YEP.TODAY. The original interview in English is below.
I’m so used to interviewing others, I found it stimulating to be on the other side of the questions for a change. This interview was conducted by journalist Margo Ormotsadze via Skype on June 20, 2015 and published in both Russian and Ukrainan in Forbes Ukraine.
Here is the English version:
During a State Department-sponsored lecture tour of Estonia last April, I had the pleasure of talking to students in Tallinn, Pärnu, Narva and Tartu. Here is the talk from the Heino Eller Music School in Tartu. I sort of like the noir-ish effect of being shot in shadow.
Had the pleasure of interviewing Lou Donaldson, Michael Cuscuna and Jason Moran at the Blue Note at 75 panel discussion, May 10, 2014 at the Library of Congress. I was a bit under the weather that day, but the conversation lifted my spirit. Special note of thanks to Bruce Lundvall for his contributions to jazz and American music.