Along with Beyoncé Knowles, Robert Glasper and Jason Moran, pianist Helen Sung is among the celebrated alumni of Houston, Texas’ High School for the Performing and Visual Arts. After preparing for a classical concert career, Sung fell in love with jazz, graduated from the Thelonious Monk Institute and went on to work with Clark Terry, Wayne Shorter, Ron Carter, Regina Carter and T.S. Monk while also touring internationally with her own groups. We met for this midnight listening session following her quintet performance at the Kennedy Center’s Mary Lou Williams Women in Jazz Festival in May. Sung’s new recording as a leader, Anthem for a New Day, is her first for Concord Jazz.
1. Kenny Barron
“Triste” (from #Kenny Barron & The Brazilian Knights#, Sunnyside). Barron, piano; Lula Galvão, guitar. Recorded in 2012. Continue reading →
This B&A originally appeared in JazzTimes in 2008. This is the first time it has appeared in its entirety.
1. Erroll Garner
“When Johnny Comes Marching Home Again” (from Long Ago and Far Away, Columbia). Garner, piano; John Simmons, bass; Shadow Wilson, drums. Recorded in 1950)
Before: Erroll Garner? He’s got one of the most distinctive, original styles. There’s a cohesiveness between what he’s doing rhythmically with his left hand and what’s going on with the rest of the band. I’ve always loved where he places the beat; it’s got that forward motion to it. He swings his ass off! This makes me want to go through a big Erroll Garner phase. The arrangement is so tight, it sounds so effortless. I don’t know the tune but it’s something in B-flat minor. Continue reading →