Pianist-composer Kenny Werner’s impact can be measured on a number of levels. As a theorist, his book Effortless Master-Liberating the Master Musician Within has had a lasting influence on a generation of musicians since it was first published in 1996. As a player with great skill and imagination, Werner has led his various trios since 1981, and recorded dozens of sessions as leader or sideman. In recent years, he’s stepped up as a composer of larger works, receiving commissions from jazz and symphony orchestras in the U.S. and Europe. Werner’s ambitious 2010 recording No Beginning, No End, led to a recent Guggenheim Fellowship, and his latest release, Institute of Higher Learning (Half Note), documents his collaborationwith the Brussels Jazz Orchestra. Werner made time for this late-night listening session following his Kennedy Center performance with Toots Thielemans.
1. Erroll Garner
“Penthouse Serenade” (from Long Ago and Far Away, Columbia). Garner, piano; John Simmons, bass; Shadow Wilson, drums. Recorded in 1951.
Emerging from the Washington D.C. go-go scene, pianist, composer and bandleader Marc Cary cut his teeth with Dizzy Gillespie, Betty Carter, Abby Lincoln, Arthur Taylor and other veterans. He’s since established his own identity as a leader mixing straight ahead sounds with East Indian, West African and hip-hop flavors. Cary sat for this JazzTimes B&A session following his set at the 2010 Mid-Atlantic Jazz Festival.
1 Abdullah Ibrahim
“Green Kalahari” (from Bombella, WDR). Ibrahim, piano. Recorded in 2008. Continue reading →